
B.Z. Niditch, 19 september 2016
Words fall on me
on length of days
with the same pulse
of verse
as on my kayak
rolling on the bluest sea
on unexpected hours
or trekking
over back roads
watching cardinals sing
over Jacob's ladders
in an open language
of seasonal herons
climbing on mountains
a woman in red high heels
tells me she has lost
her tourist visa
and passport
on the last ship at eventide
holds my matches
on the sandy coast
for a neon campfire
near my hammock
out in the neighborhood
under the town's light
hearing my sax sonata
in the white deserted sand
my words wash over you
with a butterfly net
at the freshly
painted gazebo
by the lighthouse
luminosity
in wonder
of woodwinds
over blanket
quilts of love.
B.Z. Niditch, 19 september 2016
On the Concord river
we sail my kayak
in denims
by a swarming
nest of hornets
a fawn is rustling by trees
we're spreading
lines of Thoreau
at my students
orientation
wishing to hold
the hands of language
flashing love and nature
by first circles of light
with a glow
in companions
breathing hard
in a marathon
from grassy hills and dunes
under dry orange leaves
as new Fall acorns drop
we run into shadowy strides
as a horse back rider waves
to us down hills
of open songs
over Walden Pond trails
by breezy gestures
of the wind.
B.Z. Niditch, 19 september 2016
Smooth jazz playing
at a natural good night
for my last gig
buried over
quarter notes
drowning in
poetry pockets of sax
asked to play
at a birthday party
warmed by wood stoves
in a Fall midnight hour
watching a bird
through windows
chirping under trembling oaks
in the soft showery rain
the whole length of hours
remembering
the French onion soup
and vanilla pancakes
on the fire near
the floorboards
to watch dancing
and propose
a toast that persuades you
that the thirst
and hunger
of our menu wheelhouse
is perfectly arranged.
B.Z. Niditch, 19 september 2016
In the moon's solitude
waiting to read
new poem sequences
among the last red leaves
waiting to play sax
in the breathing of waves
from a montage of pages
in my impatient mind
outside my window
are stars too embarrassed
by grieving
for the silent woman
a longtime friend, Anna,
who has family in Paris
telling her the only answer
is to love a heart that is light
and she asks me to play
a lucid French piano tune
of her childhood
before she left for America
the Germans invaded
her luminous memory.
Satish Verma, 18 september 2016
It was a summer night.
A windswept moonbeam
plummeted. Sexualizing
an indigo flesh. A butcher
was seducing
a spider, in company of
a holy book. Sunbathing in
mass grave of skulls. The eyes
peeking out of the caps.
You want to pluck the blue
berries from
volcano mounts. The key player
will burn your script. Body
of milk died on snow. The
moth was coming out of cocoon.
Satish Verma, 17 september 2016
While peeling
an orange I think of
you all time.
Walking in ruins
I pick up peonies
in grass, for you.
Dewy-eyed you
call for a knife in night.
It was full moon.
B.Z. Niditch, 17 september 2016
On solitary horizons
loosed as days lost
combing through
scattered time
of metamorphosis
with hours to appease
us in a poet's analysis
by stardust fleeting words
on nature's face of it
in a poet's abyss
from a visiting memory
breathing in my initials
by lunar landscapes
telescoped on Maple trees
mulling over Chopin's
waltzes once composed
in another century's breath
losing myself
in a dusk of shadows
out in the French countryside
on a rose garden bench
praying for peace
in an open field of orange
and red leaves
over Monet-like river beds
near the monastery fence
at daybreak's solitary sun
here on meadow fields
of strawberries
gathered in Autumn
when the nascent doves
of Picasso in a reddened sky
fly away South to keep warm
like a runaway adolescent
fleeing parental storms.
B.Z. Niditch, 17 september 2016
Playing Chopin etudes
under his miniature
on the piano
by my twenty-somethings
with my gestures
disclosing my unshaven years
that spilled out
the lyrical muse
of a musical romanticism
that faintly enfolds us
at my recital on pages
of belated practice
here in a sheltered hall
north of the city harbor
for a poet needs to live
and play by a river
as he needs
the saints of Jesus
reading aloud as a debut
the Romantic music
of my apprenticed verse
from my rustling hands
practicing in three languages
suddenly in the thunder
of my audience's hands
the applause like the wind
was deafening.
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